Monday, November 28, 2016

Arthur Miller

Hi people!

So this is a blog all about one of the greatest playwrights of all time, Arthur Miller.

In it you will find:

  • some personal info about Miller
  • some of his major works
  • a video about Arthur Miller and how people viewed him
  • a zoom into one of his major works and how it deals with the American Dream
  • a review on one of his plays written in 1949 (old I know)
  • how he relates his work to his audience
  • why I chose to write about him
I highly recommend going under the A, Miller Blog Archive tab and starting from the top and working your way down, it will make more sense that way! Sorry I'm having you do some work, it's my first blog everrrr and I'm super new to this!

Hope you like it and learn something! :)

Article on Death of a Saleman (1949)

or.....if you want to keep reading then check out this review written in 1949 on Arthur Miller's Death of a Salesman. 


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February 11, 1949
At the Theatre
By BROOKS ATKINSON
Arthur Miller has written a superb drama. From every point of view "Death of a Salesman," which was acted at the Morosco last evening, is rich and memorable drama. It is so simple in style and so inevitable in theme that is scarcely seems like a thing that has been written and acted. For Mr. Miller has looked with compassion into the hearts of some ordinary Americans and quietly transferred their hope and anguish to the theatre. Under Elia Kazan's masterly direction, Lee J. Cobb gives a heroic performance, and every member of the cast plays like a person inspired.Two seasons ago Mr. Miller's "All My Sons" looked like the work of an honest and able playwright. In comparison with the new drama, that seems like a contrived play now. For "Death of a Salesman" has the flow and spontaneity of a suburban epic that may not be intended as poetry but becomes poetry in spite of itself because Mr. Miller has drawn it out of so many intangible sources.
It is the story of an aging salesman who has reached the end of his usefulness on the road. There has always been something unsubstantial about his work. But suddenly the unsubstantial aspects of it overwhelm him completely. When he was young, he looked dashing; he enjoyed the comradeship of other people--the humor, the kidding, the business.
In his early sixties he knows his business as well as he ever did. But the unsubstantial things have become decisive; the spring has gone from his step, the smile from his face and the heartiness from his personality. He is through. The phantom of his life has caught up with him. As literally as Mr. Miller can say it, dust returns to dust. Suddenly there is nothing.
This is only a little of what Mr. Miller is saying. For he conveys this elusive tragedy in terms of simple things--the loyalty and understanding of his wife, the careless selfishness of his two sons, the sympathetic devotion of a neighbor, the coldness of his former boss' son--the bills, the car, the tinkering around the house. And most of all: the illusions by which he has lived--opportunities missed, wrong formulas for success, fatal misconceptions about his place in the scheme of things.
Writing like a man who understands people, Mr. Miller has no moral precepts to offer and no solutions of the salesman's problems. He is full of pity, but he brings no piety to it. Chronicler of one frowsy corner of the American scene, he evokes a wraith-like tragedy out of it that spins through the many scenes of his play and gradually envelops the audience.
As theatre "Death of a Salesman" is no less original than it is as literature. Jo Mielziner, always equal to an occasion, has designed a skeletonized set that captures the mood of the play and serves the actors brilliantly. Although Mr. Miller's text may be diffuse in form, Mr. Kazan has pulled it together into a deeply moving performance.
Mr. Cobb's tragic portrait of the defeated salesman is acting of the first rank. Although it is familiar and folksy in the details, it has something of the grand manner in the big size and the deep tone. Mildred Dunnock gives the performance of her career as the wife and mother--plain of speech but indomitable in spirit. The parts of the thoughtless sons are extremely well played by Arthur Kennedy and Cameron Mitchell, who are all young, brag and bewilderment.
Other parts are well played by Howard Smith, Thomas Chalmers, Don Keefer, Alan Hewitt and Tom Pedi. If there were time, this report would gratefully include all the actors and fabricators of illusion. For they all realize that for once in their lives they are participating in a rare event in the theatre. Mr. Miller's elegy in a Brooklyn sidestreet is superb.



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Digging Deeper into Death of a Salesman

In digging deeper when working on this blog, I found an article. The article I have chosen for my this is one that focuses mainly on Willy in Death of a Salesman, by Arthur Miller. This article uses Willy in the play and does a comparison and contrast between Ronald Regan and him. The compare and contrasts of these two men deals with the thoughts of what the ideal American dream is and how these men try to achieve it or think they have achieved it. 
A perfect representation of Arthur Miller's American Dream is shown all throughout Death of Salesman. In the play, Willy, strives for greatness in wanting to do extremely well in his job, having a perfect family, and having a good reputation. This doesn't sound like a problem, until acheiving these goals is all Willy becomes to engulf himself in. It becomes such a problem to Willy that he decides there is no way out and he commits suicide. In the article, "Death Of A Salesman And American Leadership: Life Imitates Art," its states, “To both men, America and the American creed seemed to have no place for failure. How one succeeded was therefore not a moral question." Because Willy came to the realization at the end of the play that money wasn't coming anything, Buff discovers that Willy has been cheating, and he also knows that his sons are not wanting to follow in their fathers footsteps, his only answer to escape this was to not live. 
Throughout the play, Willy finds that the only way to "escape" from what is going on in his life is to go back to the past, lose track of time and what is actually going on, and have an affair. Something interesting about this play is the thought that most people would grow to hate Willy; however, because Miller made him into a character that people can sympathize with, one can only feel sorry and even relate themselves into certain parts that make up Willy as a person. 
Part of the American Dream is having a family and making sure they are as successful if not more than where one has started out in the world. Willy tries to be that dad who thinks he is helping out by pushing his own life,
       "Willy: Biff Loman is lost. In the greatest country in the world a young man with such—personal        attractiveness, gets lost. And such a hard worker. There’s one thing about Biff— he’s not lazy…          I’ll see him in the morning; I’ll have a nice talk with him. I’ll get him a job selling.He could be          big in no time." (931)
This a key point because it shows how Willy not only believes that the country alone will bring success, but tries pushing his own opinions on succeeding into this son and living through him.
The article also agrees on this view by saying, "Willy, in his own failures, must live through his sons."
Another quote from the article that I find to be important and sums up Willy's vision: 
“The rewards of being successful for both men were to be well liked and to be rich. To be rich for both seemed to mean 1) having a place where they can get away from it all and 2) consuming the products of a bountiful business society. To be rich is thus to be ‘free’ in the two senses above, with the added self-confidence of being admired, a model for others.” 

Here is the link to the article: http://web.a.ebscohost.com.ezproxy.usd.edu/ehost/detail/detail?vid=3&sid=26590d33-1407-45b0-9799-6cb24331eb3b%40sessionmgr4007&hid=4204&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=9501161846&db=aph  

Historical Context

Arthur Miller's work spoke to his audience at the time he wrote his plays and continues to relate to audiences today. The interesting part is that Miller even admits to knowing what he's doing. In the article "Miller's Tale," by Robert A. Martin, it states, "Tellingly, he once burst out in an interview: ‘Look, I know how to make 'em go with me... it's the first instinct of a writer who succeeds in the theatre at all. I mean, by the time you've written your third play or so, you know which buttons to push... People are pretty primitive -- they really want the thing to turn out all right."'

All My Sons (1947) is familiar to people because it deals with an individual's role in society. The play also deals with not having a perfect family which families in his time and today can relate to. It was also relating to people because World War II had ended two years prior to when the play was written and the play deals with a family having to cope because of war.

Death of a Salesman (1949) is also another very familiar work of Miller's to audiences. Anything dealing with a person's need to achieve and have a name for themselves can relate to anyone, and Death of a Salesman hits the target on this. This is also another play dealing with family issues.

Critical Interpretations

Take a break from reading this blog and watch this video!
It includes:

  • reviews from people on who he was/his work
  • more of his works 
  • some interesting personal info on this man!



Why I Care

A·mer·i·can dream
noun
  1. the ideal that every US citizen should have an equal opportunity to achieve success and prosperity through hard work, determination, and initiative.
    "he could achieve the American dream only by hard work"


Soooooo this is when I get a little personal...

The reason why I chose to write about Arthur Miller is because he is a major playwright known for his portrayal of trying to achieve: the American Dream. That being said, my father has always talked about his ideal dream--the American Dream. My parents moved from Mexico to the U.S. in 1995, when my mom was pregnant with her favorite child (me). My dad started out as someone that worked at a meat packing plant, having to slaughter pigs as a living and having to work weekends to support his family, to a welder that is has been able to go to church, be a soccer coach, and actually have vacation time to spend with his loved ones. My siblings and I are always told that my parents came to this country to give us a better life, watch us go to college, have families, and grow up to be happy individuals. Yeah, sometimes it gets annoying hearing the chit-chat I've heard over and again, but I know it is always told from the heart. To wrap everything up, I chose to do my project on Arthur Miller because his plays may be fiction, but I can relate to the messages in some of his plays. His plays may be made up, but the idea of achieving an American Dream is 100% true. 






Let's Talk About His Talent

Arthur Miller's style can be summed up in one word: Realism
Breaking realism down into three more words to describe Miller's writing:

  • morality
  • compassion
  • allegories




Some Awards:
-Tony Award for Best Play
-Pulitzer Prize for Drama
-Kennedy Center Honors
-Tony Award for Best Author
-Special Tony Award for Lifetime Achievement
-Honorary Moliere Award

Some Arthur Miller Creations:

Plays
-The Golden Years
-The Man Who Had All the Luck
-All My Sons
-Death of a Salesman
-The Crucible
-An Enemy of the People

One-Act Plays 
-A View from the Bridge
-A Memory of Two Mondays
-Fame/The Reason Why
-Danger:Memory!
-The Last Yankee

Screenplays 
-The Misfits
-Everybody Wins
-The Crucible

Autobiograpghy:
-Timebends

Collections
-Arthur Miller's Collected Plays Volumes I and II
-The Portable Arthur Miller
-Arthur Miller: Collected Plays 1944-1961 (Tony Kushner, editor)

Arthur Miller Personal Info

*yep...this sexy man is Arthur Miller

Born: October 17, 1915
Died: February 10, 2005

Married: Inge Morath (1962-2002)
               Marilyn Monroe (1956-1961)
               Grace Slattery (1940-1956)

Children: Rebecca Miller
                Jane Ellen Miller
                Robert A. Miller
                Daniel Miller

Education: University of Michigan (1938)
       Abraham Lincoln High School (1932)